about the staff and review


The 2008-2009 River Review Staff

Editors-in-chief: Logan Davis & Emily Smith
Assistant Literature Editors: Maria Stratienko, Claire Samuels, Hadley James, Sarah Thomas
Contributing Editors: Logan Davis, Emily Smith, Taylor Richards
Soliciting Editors: Taylor Boyd, Holley Casey, Meryl Anne Dexter, Joanna Kibble, Katherine Johnson, Chloe Williams, Louise McCallie
Art Editor: Rachel Smith, Eleanor Epstein
Assistant Studio Art Editors: Logan Davis, Victoria Addison
Dance Editor: Meryl Anne Dexter
Theater Editor: Holly Casey
Assistant Theater Editor: Emily Smith, Sarah Thomas
Web-Design: Logan Davis & Emily Smith
Sponsor: Katy Berotti
Special Thanks: Jill Pala, Susan Smartt, Mary Carrithers, Debbie Glasscock, & The Art Department


The Review

River Review is a publication dedicated to showcasing student artwork from creative writing to dance. The Review is created by the by students and for the students. It is a extension of the Creative Writing Club, but is open to all upper schoolers with a passion in the arts or publication.

Biographies

Maria Stratienko Maria Stratienko has a perceived audience, as well as terrible cockroach perception. She carries grapes in her purse and rapes countless pages with sweet and swirly nothings. Her gay brother lover came from England, and she came from Pennsylvania. She's emo and writes a lot. She reads Urban Outfitter's blog and wears tall socks. Pretty much, she's a poet.

Claire Samuels You inquired as to which person your biography should be written in. You were told that it should be written in second person. This is what you came up with. Why the hell do you call yourself a writer?

Sarah Thomas Sarah's ideal novel would have to be a cross between Great Expectations and the Catcher in the Rye. She would commend any attempt to create such a novel because, frankly, she doesn't think it can be done. Always composed after midnight, her poetry incorporates a distinct level of verbosity with ambiguity that, some way or another, manages to revolve around one central point. Maybe she just chucks nice-sounding words on the page instead - your guess is as good as anybody. If you hear her listening to Opera in her car while the windows are rolled down, try not to point or make a face, because you're probably just too obtuse to appreciate the complexity and radiance of real, ambitious music.













RIVER REVIEW 2008-2009- GIRLS PREPARATORY SCHOOL