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Can you identify each of the following characters? Can you explain why each is important to the development of the story? Allie D.B. Jane Gallager Carl Luce Mr. Antolini Mr. Spencer Ward Stratlater Robert Ackley Sally Hayes Phoebe Can you list key scenes in order? You need to be able to keep track of time sequence. Consider Holden’s academic career. Why do you think he has so much trouble in school? Whay are children important to Holden? What is Holden’s greatest complaint about most people in society? Can you give examples? When and where does Holden tell the story? Why is this information important? Can you explain the significance of the title? Why does Holden hate movies? In what ways is the book an example of a "search for self" book? In what ways is the book an example of a book that pits Conformity versus Rebellion?
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Holden’s feelings and actions are those of a very troubled person who deserves our sympathy more often than our praise; A close look at Holden reveals that he possesses very strong moral, compassionate instincts. Is he simply a good but confused person? Because Holden is a troubled young man, his language is frequently profane, demonstrating his negativism. While not to minimize the inappropriateness of such language, it should be pointed out that Holden’s constant use of "goddam" is always spelled with a lower-case "g" and is clearly not intended to take the Lord’s name in vain. Secondly, Holden does seem to limit his use of obscenities to those which are trite and essentially meaningless. There are certain expressions which Holden himself abhors; for instance, he desperately attempts to obliterate the word "F___ you" from place where youngsters may view them. He loathes the expression for its distortion of the sex act into something evil and for its potential to corrupt the young mind. Holden admits to being a "terrific liar." Holden’s motive for lying is usually one of the following: the need to escape boredom, to create excitement (when he tells the blonde at the bar that Cary Grant has just passed), or to please others and/or prevent hurt feelings (when he tells a classmate’s mother that her son is too modest about his achievements; when he tells his history teacher that his lectures were "very interesting"). Holden’s fabrications only serve to intensify his alienation from others. And, while the stories he spins are often quite amusing, the humor is actually pathetic, reminding us of his tragic isolation. Holden states that he is "sort of an atheist." The use of the words sort of indicates the uncertainty of his conviction. Furthermore, it is contradicted elsewhere in the novel, especially in his references to his deceased brother: "I know it’s only his body and all that’s in the cemetary, and his soul’s in Heaven and all…" Several scenes point to the fact that what Holden actually rejects is not religion but religious hypocrisy – which, in his confusion and naivety, he fails to distinguish from the former. He is repelled by the gaudy Radio City Christmas Show. He shows similar disdain for two men who curse about the Christmas tree they are unloading from a truck. It seems to be society’s commercialized version of Christmas and religion which Holden detests, and it is this disgust that has brought him to his rather naïve conclusion that he is an atheist. Holden states that he "likes Jesus and all…" In sum, Holden embodies some Christian values: compassion, sincerity, simplicity, and a love of childhood innocence. There’s a connection between Holden’s excessive drinking and his feelings of alienation. He seems to drink to escape his loneliness. Holden’s drinking does not make him glamorous or mature or worthy of respect – hence, he gains no friends from it. Nor does getting drunk help him forget about his problems. On the contrary, it is at his height of intoxication that Holden plunges to an abyss of despair, stumbling through Central Park at night, fearing that he will die alone in the cold. Holden’s attitudes towards sexuality also support the view that he is confused but moral. On one hand, Holden admits to having sexual desires. He even submits, to some degree, to society’s demand that young men be sexually adroit: he thinks that a prostitute might provide him with the "practice" he needs for marriage, and it is with some diffidence that he admits to being a virgin. But underlying these feelings – and indeed, governing them, it seems – is a strong sense of what is right and what is wrong. Holden is a virgin, despite frequent opportunities; when girls request that he "stop," he stops. Furthermore, Holden clearly believes that sex without love is improper. Consider Holden’s behavior with the prostitute: first, his motives for having the prostitute sent to his room; and second, the reason that he pays and sends her away before any services are rendered. Holden’s reason for accepting the sly elevator boy’s proposition is, once again, that he is desperately onesome; this is but another vain attempt to seek out human companionship. His desperation has also muddled his capacity to reason: "When you’re feeling very depressed, you can’t even think." Holden’s motive for retreat in this scene is notably linked to these same principles, for he has stepped over his moral boundaries. Holden feels nothing but despair at the sight of Sunny’s pulling off her dress. Ironically, his brief encouter with her only intensifies his depressed state. Thanks to Helen Frangedis, Paul VI High School, Fairfax, VA
Holden Caulfield is a very real character, an authentic portrayal of an idealistic, sensitive American adolescent who is suffering silently with guilt and depression over the death of a younger brother, who fears his own death, who despairs about the future, who worries about his own sexuality, and who longs for communion, love, truth and beauty: yet he sees corruption and mendacity everywhere. Holden has not faced his problems, and his behavior is both immature and destructive. His engaging a prostitute and being too scared to go through with the act, hanging out at bars trying to get served, and spending too much money are all evidence of a desperate yet feeble attempt to assert his masculinity and his maturity. Is he simply too unsophisticated and too young to play this role? On the one hand Holden’s cursing shows his underlying insecurity and his attempt to act tough when in reality he is not. On the other hand Holden demonstrates a measure of innocence in his desire to protect little children from exposure to corruption. While watching his little sister go round and round on the carousel he admits that, "The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them." After perceiving this truth, that children cannot be shielded, Holden is on his way to recovery. That there is this epiphany and the suggestion of redemption at the end of the book is a source of hope in the book. Even though the adult world doesn’t hear Holden’s cry for help and gives him pat answers no one believes will work, one gets the feeling at the end of the book that Holden is going to return to the world. Thanks to Leta Marks, Bloomfield High School, Bloomfield, CT * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Catcher is, in essence, a Jeremiad, an extended complaint to God about the state of the world. It is specifically religious in purport, something that makes much sense given Salinger’s involvement with mysticism when he wrote the book. The book is an attempt to invoke the presence of God in a godless world. Holden’s desire to find evidence of God somewhere in the world is precipitated by the death of his brother, which seems to be evidence for the non-existence of God. Consider the following:
That's Quite a Character! TCITR characters are listed here approximately in the order in which they are mentioned in the novel. Holden Caulfield: narrator and main character Mr. and Mrs. Caulfield: Holden's parents D. B. Caulfield: Holden's older brother Mr. Haas: headmaster at Elkton Hills Mr. Spencer: Holden's history teacher at Pencey Mrs. Spencer: Mr. Spencer's wife Dr. Thurmer: headmaster at Pencey Robert Tichener and Paul Campbell: two of Holden's friends at Pencey Mr. Zambesi: Biology teacher at Pencey Ossenburger: alumnus who donated money to Pencey Edgar Marsalla: Holden's classmate at Pencey Ward Stradlater: Holden's roommate at Pencey Robert Ackley: Holden's dirty next door dormmate at Pencey Herb Gale: Robert Ackley's roommate (Ely?) Mr. Hartzell: English teacher at Pencey Howie Coyle: Holden's classmate at Pencey Fitzgerald: ex-date of Stradlater Phyllis Smith: babe who was almost Stradlater's date Bud Thaw: boyfriend of Jane Gallagher's roommate Jane Gallagher: Holden's great love and almost girlfriend Mr. Cadahy: Jane Gallagher's "booze hound" step father Mal Brossard: "bridge fiend" and friend at Pencey Allie Caulfield: Holden's nice and brilliant red-headed brother Ed Banky: basketball coach at Pencey Leahy and Hoffman: dormmates at Pencey Frederick Woodruff: classmate who buys Holden's typewriter Mrs. Schmidt: 65-year old wife of Rudolf Rudolf Schmidt: janitor in Holden's dorm at Pencey Holden's grandmother: generous with money, senile Mrs. Morrow: sexy, 40 to 45-year old mother of Pencey classmate Ernest Ernest Morrow: Holden's 'ass-slapping with a towel' dormmate at Pencey Henry Fencer: elected class president in the story Holden invents for Mrs. Morrow Phoebe Caulfield: Holden's smart and sweet kid sister Sally Hayes: Holden's good looking ex Mrs. Hayes Sally Hayes' mother Carl Luce: classmate at Whooton School first cabbie: "wise guy" bellboy at the Edmont: 65-year old bald guy assorted "perverts" at the Edmont: Anne Louise Sherman: a girl Holden "horsed around with" in the
past Faith Cavendish: former burlesque stripper Eddie Birdsell: Princeton guy who told Holden about Faith Cavendish Marty, Laverne, Bernice Krebs: girls in the Lavender Room Horowitz: New York taxidriver Lillian Simmons: D.B.'s ex-girlfriend with very "big knockers" Commander Blop: Lillian's date in the Wicker Bar Two nuns: Holden meets them at a diner Ernie: owner of and piano player at the Wicker Bar Sunny: spooky prostitute Jim Steele: alias Holden uses with Sunny & the three Lavender Room girls Maurice: Sunny's pimp and the elevator guy at the Edmont Bobby Fallon: former neighbor in Maine Arthur Childs: classmate at Whooton Dick Slagle: roommate at Elkton Hills Estelle Fletcher: singer of "Little Shirley Beans" little boy walking in street: sang "If a body catch a body..." Louis Shaney: classmate at Whooton School little girl in park: same age as Phoebe Gertrude Levine: classmate in elementary school Harris Macklin: roommate for two months at Elkton Hills The Lunts: Alfred Lunt and Lynn Fontanne, famous actors George: Andover "jerk"--acquaintance of Sally's James Castle: classmate at Elkton Hills Mr. Antolini: Holden's heavy-drinking ex-English teacher at Elkton Hills Lillian Antolini: Mr. Antolini's wife
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