The Era of Religious Conflict and Wars

Unit Objectives

The Reformation, like the Renaissance, was born in the fold of little states. Indeed, without them, it could not have survived, nor could it have survived without the rivalry of Spain and France. Like the humanists, the Reformers were opposed to the cloister and were thoroughly committed to life in the world. The culture roughly described as humanist, and the Reformation, arose as papal vitality ebbed. Both movements were movements of emancipation, drawing their inspiration and their legitimacy from an earlier period. In their recasting of values, and their attempt to shape new views of man, the humanists and Reformers were akin, but their visions of life and of human capacity and their sources of authority were quite different.

The Reformers were guided by early Christian authority rather than pagan classics. They were less Greek and Roman than Hebrew. While the humanists satirized the abuses of the Church, the Reformers denounced them; the one group tolerated the papacy and concentrated its scorn on superstitions and on the medieval religious orders; the other was alienated by the practice and pretension of the Renaissance papacy. It was not simply that Renaissance popes had been derelict in their duty to cure souls, or that they were politically minded and materialistic, and often guilty of gross nepotism and flagrant immorality. What mattered was the abuse of the spiritual office of the Pope. And the abuse rested on claims that became the focus of the intellectual and theological grievances of the Reformers. By and large the humanists had assumed that they knew the way to salvation and devoted themselves to enriching the possibilities of life, while the Reformers were seeking new avenues of assurance.

Behind this quest lay a deep soul-sickness or, perhaps, sensitivity that had continued in Northern Europe alongside the Renaissance. It existed in the country rather than in the gay and elegant court and it shook the middle and lower orders more than the aristocracy.

A sense of doom had lingered long after the Plague. Even during the Plague the reaction in the North had been more hysterical and ghoulish than in the South. Dancing frenzies and flagellations were less frequent in Italy. And one is tempted to attribute this to climate. Throughout the 15th century the North was preoccupied with death, judgment, and hell fire, and an abiding pessimism about man's fate runs through its prose and poetry. A peculiarly macabre dance fashion cropped up, performed by men with skeletons. The dance was intended to remind watchers of their mortality and their equality before the relentless swathe of time.  Woodcuts popularized the steps and stages of it. Also, a spate of the early printed pamphlets dealt with the art of dying. In art, morbid undertones took on a bizarre realism. Van Eyck's The Last Judgment portrayed the subterranean horror to which the evil were to be committed. Bosch's strange sermons in paint are inhabited by wild, nightmarish creatures. Even Durer, the realist, flanks his righteous Christian knight on his way to a "city on a hill" with a figure of death holding an hourglass, and a monstrous devil--half wolf, half pig. Similarly, Schöngauer's St. Anthony Tormented by Demons crawls with hobgoblins and foul friends. Luther believed deeply in the reality and power of Satan and his demons.

As somber as the Northern climate may be, it was also the proximity to death and the frequency of it that kept morbid pessimism alive. In France and Burgundy, for instance, the desolation of the Hundred Years War was followed by decimation between rival factions, not to mention recurrences of the Plague. So, from the time of the Plague, through wars, famines, and civil wars, there had been no respite from the threat of death and no guarantee against the onset of disaster.

War during this era will manifest itself in four major conflicts:

~ the Spanish Armada
~ the Dutch Revolt against the Spanish Habsburgs
~ the French War of the Three Henrys
~ the Thirty Years' War.

While religion plays a pivotal role in each conflict, religion is often couched in political terms.  The outcomes will change the face of Europe permanently!



 

 

Unit Assignments
Sample Multiple Choice Questions
Sample Essay Questions
Sample DBQs
Baroque Art
TEST and EXAM REVIEW INFO

Return to Advanced Placement Modern European History Home Page